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“I’m getting an adrenaline rush to help me concentrate”Bog'liq atomic-habits“I’m getting an adrenaline rush to help me concentrate”
: Alison Wood Brooks, “Get Excited:
Reappraising Pre-Performance Anxiety as Excitement with Minimal Cues,” PsycEXTRA
Dataset, June 2014, doi:10.1037/e578192014–321; Caroline Webb, How to Have a Good Day
(London: Pan Books, 2017), 238. “Wendy Berry Mendes and Jeremy Jamieson have
conducted a number of studies [that] show that people perform better when they decide to
interpret their fast heartbeat and breathing as ‘a resource that aids performance.’”
Ed Latimore, a boxer and writer
: Ed Latimore (@EdLatimore), “Odd realization: My focus and
concentration goes up just by putting my headphones [on] while writing. I don’t even have to
play any music,” Twitter, May 7, 2018,
https://twitter.com/EdLatimore/status/993496493171662849
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CHAPTER 11
In the end, they had little to show for their efforts
: This story comes from page 29 of Art & Fear
by David Bayles and Ted Orland. In an email conversation with Orland on October 18, 2016,
he explained the origins of the story. “Yes, the ‘ceramics story’ in ‘Art & Fear’ is indeed true,
allowing for some literary license in the retelling. Its real-world origin was as a gambit
employed by photographer Jerry Uelsmann to motivate his Beginning Photography students at
the University of Florida. As retold in ‘Art & Fear’ it faithfully captures the scene as Jerry
told it to me—except I replaced photography with ceramics as the medium being explored.
Admittedly, it would’ve been easier to retain photography as the art medium being discussed,
but David Bayles (co-author) & I are both photographers ourselves, and at the time we were
consciously trying to broaden the range of media being referenced in the text. The intriguing
thing to me is that it hardly matters what art form was invoked—the moral of the story
appears to hold equally true straight across the whole art spectrum (and even outside the arts,
for that matter).” Later in that same email, Orland said, “You have our permission to reprint
any or all of the ‘ceramics’ passage in your forthcoming book.” In the end, I settled on
publishing an adapted version, which combines their telling of the ceramics story with facts
from the original source of Uelsmann’s photography students. David Bayles and Ted Orland,
Art & Fear: Observations on the Perils (and Rewards) of Artmaking (Santa Cruz, CA: Image
Continuum Press, 1993), 29.
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