• It was the first guitar produced in plastic , Q36
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    Q32
     was unsuitable for many other types of music.
    Another way of Increasing the volume was thought of in the 1930s. The C. F. Martin Company became
    known for its ‘Dreadnought‘,
    a large flat-top acoustic guitar that used steel strings instead of the 
    traditional gut ones. 
    Q33
    It was widely imitated by other makers.
    These mechanical fixes helped, but only up to a point. So guitarists began to look at the possibilities
    offered by the new field of electronic amplification. What guitar players needed was a way to separate
    the guitar’s sound and boost it in isolation from the rest of a band or the surroundings.
    Guitar makers and players began experimenting with electrical pickups which are the main means of
    amplification used today. The first successful one was invented in 1931 by George Beauchamp.
    He 
    introduced to the market a guitar known as The Frying Pan’ 
    Q34
    because the playing area consisted 
    of a small round disk. The guitar was hollow and was made of aluminium and steel. 
    He amplified the 
    sound by using a pair of horseshoe–shaped magnets
    Q35
    It was the first commercially successful
    electric guitar.
    So by the mid-1930s, an entirely new kind of sound was born. Yet along with its benefits, the new technology
    brought problems. The traditional hollow body of a guitar caused distortion and feedback when combined 
    with electromagnetic pickups. Musicians and manufacturers realised that a new kind of guitar should be 
    designed from scratch with amplification in mind.
    In 1935 Adolph Rickenbacker produced a guitar which took his name – ‘The Rickenbacker Electro Spanish’.
    It was the first guitar produced in plastic,
    Q36
    which, because of its weight, vibrated less readily than
    wood. It eliminated the problems of earlier versions which were plagued by acoustic feedback. ‘The Electro 
    Spanish’ had its own problems, however, because it was very heavy, smaller than other guitars of the
    period, and was quite awkward to play. Developments continued and in 1941 Les Paul made a guitar
    which he called ‘The Log’, and true to its name,

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