• Coming Up With A Working Thesis.
  • «Использование инновационно-креативных технологий в обучении, практические основы применения нейролингвистического програмирования»




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    Contextualizing Ideas
    . Sometimes students don't have a good sense of 
    where their argument fits in the ongoing academic conversation, and so they can't 
    determine the point (or the structure) of their paper. Doing some research can help. 
    Show your students how to contextualize their ideas. In a writing workshop or in a 
    conference, select one of their ideas, and then ask: What is the history of this idea? 
    What else has been said on this topic that is relevant to our discussion? How does 
    it relate to other ideas that we've been discussing? What do the dissenting voices 
    have to say? How might we answer them? Asking these kinds of questions not 
    only moves students into the ongoing academic conversation, it also gives them a 
    sense of how to craft an introduction, when it comes time to write one. 
    Coming Up With A Working Thesis.
    The last step in the invention process 


    “Ta’limda innovativ-kreativ texnologiyalarning qo’llanilishi, neyrolingvistik dasturlashning 
    amaliy asoslari” mavzusidagi xalqaro konferentsiya 2021-yil, 27-dekabr

     
     
    434 
    (and the first formal step of the composing process) is coming up with a working 
    thesis (or thesis question). Advise students to post the thesis where they can see it 
    as they write: this sentence, if well crafted, will help the writer to stay focused on 
    the argument she is trying to make. Do let the student know that, at this stage, they 
    have only a working thesis—most writers revise their theses as they go, in order to 
    accommodate shifts in perspectives and new ideas. For materials on invention and 
    thesis development that you can share with your students see Coming Up With 
    Your Topic and Developing Your Thesis. 
    To compose
    a text is a difficult task. A writer sits at the keyboard, facing a 
    blank screen, and must make the decisive first step that will begin the writing 
    process. Some young writers get blocked: either they are perfectionists who keep 
    writing the same first sentence again and again, trying to get it right, or they are 
    terrified of making a decision and so continue to stare at the page as the clock ticks 
    on. Other young writers have no trouble with writer's block, but they have trouble 
    shaping their thoughts into a coherent essay. These writers see writing simply as 
    the process of getting what's in their head onto the page - once they've done a 
    "brain dump" they think that the paper is finished. They don't yet recognize the 
    need to revisit their paper, to re-envision it, and to revise it. 
    Students need better strategies. Experienced writers understand composing 
    as a recursive process. As experienced writers draft, they discover new ideas and 
    unexpected problems. At these junctures, they return to earlier processes: they 
    brainstorm, re-sketch their ideas, re-write their outlines. They inevitably revise or 
    refine their theses. Some young writers will find this process discouraging. By 
    modeling it as typical—or even as necessary—you can support your students as 
    they struggle through the writing process. 
    For materials on composing that you can share with your students, see 
    Writing: Considering Structure and Organization. As we noted above, revising a 
    paper is, for some students, even more difficult than writing it. Substantive revision 
    requires that students re-envision their papers, trying to understand how readers are 
    understanding (or misunderstanding) them. 
    For first-year writers, successful revision requires a solid understanding of 
    the academic audience. The problem is, they have only recently joined this 
    community and don't quite understand how knowledge is created and 
    communicated here. Talk with your students about the expectations of the 
    academic audience and the practices of scholarship—including the particular 
    expectations and conventions of your discipline.
    Most first-year students could also benefit from a discussion of general 



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    «Использование инновационно-креативных технологий в обучении, практические основы применения нейролингвистического програмирования»

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