“Ta’limda innovativ-kreativ texnologiyalarning qo’llanilishi, neyrolingvistik dasturlashning




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“Ta’limda innovativ-kreativ texnologiyalarning qo’llanilishi, neyrolingvistik dasturlashning 
amaliy asoslari” mavzusidagi xalqaro konferentsiya 2021-yil, 27-dekabr

 
 
450 
The corresponding graphics can be realistic (based on physical 
resemblance),
abstract (based on underlying logical structures), or analogical 
(based on functional analogies) (cf. Alesandrini 1987). However, a dip into 
textbooks for schools shows that learning
materials include not only instructional 
pictures, but also decorative pictures (Pozzer and
Roth 2003), which are intended 
to give relief to the learning situation and to make the
material aesthetically 
pleasing. Historically, the use of pictures for teaching and learning was
a core idea 
of Comenius (1658) in his ‘Visible World in Pictures’. Children’s curiosity,
comprehension and joy of learning were supposed to be fostered by a rich 
collection of both
instructional and decorative images. Teachers and developers of 
learning material put
emphasis also nowadays on fostering learners’ attention and 
on generating a comfortable
atmosphere with the aid of decorative pictures. 
Photographs and illustrations, for example,
are often considered as a means to 
motivate readers by making documents more attractive
and interesting (Male 
2007;Rubens2000) and by stimulating aesthetic visual perception
(Chiaverina et al. 
1997). These beliefs are strong and widespread. However, there is little
research so 
far whether and to what extent decorative pictures really have an effect on 
learning.
Instructional pictures and decorative pictures are distinguished according to 
their main function: providing information versus enabling aesthetic experience 
(Takahashi 1995). The two functions do not exclude each other. Instead, they can 
be thought of as two orthogonal dimensions, which serve as co-ordinates of a two-
dimensional space. Depending on their co-ordinates, pictures can include more or 
less information about the subject matter to be learned, and they can have more or 
less aesthetic appeal. Sometimes, a picture is both informative and aesthetically 
pleasing (cf. Tufte 1990; Wainer 1997). Sometimes, a picture is both 
uninformative and unpleasant. In real life, however, there is on the one hand a 
large amount of pictures that include much information about the learning content 
without being very aesthetically pleasing. On the other hand, there is a large 
amount of pictures that are aesthetically pleasing, but with little information about 
the learning content. The term ‘instructional pictures’ will be used in the following 
for the first type (i.e. pictures with a primarily informational function), whereas the 
term ‘decorative pictures’ will be used for the second type (i.e. pictures with a 
primarily aesthetic function). 
When people ponder the word communication, they often think about the act of 
talking. We rely on verbal communication to exchange messages with one another 
and develop as individuals. The term verbal communication often evokes the idea 



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“Ta’limda innovativ-kreativ texnologiyalarning qo’llanilishi, neyrolingvistik dasturlashning

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