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    Implementation of Video Compression Standards in
    Digital Television
    Branimir S. Jaksic and Mile B. Petrovic
    Additional information is available at the end of the chapter
    http://dx.doi.org/10.5772/64833
    Provisional chapter
    Implementation of Video Compression Standards in
    Digital Television
    Branimir S. Jaksic and Mile B. Petrovic
    Additional information is available at the end of the chapter
    Abstract
    In this paper, a video compression standard used in digital television systems is
    discussed. Basic concepts of video compression and principles of lossy and lossless
    compression are given. Techniques of video compression (intraframe and interframe
    compression), the type of frames and principles of the bit rate compression are
    discussed. Characteristics of standard-definition television (SDTV), high-definition
    television (HDTV) and ultra-high-definition television (UHDTV) are given. The
    principles of the MPEG-2, MPEG-4 and High Efficiency Video Coding (HEVC)
    compression standards are analyzed. Overview of basic standards of video compression
    and the impact of compression on the quality of TV images and the number of TV
    channels in the multiplexes of terrestrial and satellite digital TV transmission are shown.
    This work is divided into six sections.
    Keywords: MPEG-2, MPEG-4, HEVC, SDTV, HDTV, UHDTV
    1. Introduction
    Video compression technology is technology which allows you to record video in such a way
    that they take up less memory space and allows for the video to be a little different from the
    original, when playing. Reducing data (data compression) is possible because the image
    contains redundant (same) information [1]. Compression is the process of reducing the
    number of bits that are used to encode individual picture elements.
    In digital television, parameters for digital video signal with compression and without
    compression are given by recommendation ITU-R BT.601 [2]. In broadcasting, transmission
    with lower speed requires less bandwidth and transmitter with lower power. Recording
    © 2016 The Author(s). Licensee InTech. This chapter is distributed under the terms of the Creative Commons
    Attribution License (http://creativecommons.org/licenses/by/3.0), which permits unrestricted use, distribution,
    and reproduction in any medium, provided the original work is properly cited.
    © 2016 The Author(s). Licensee InTech. This chapter is distributed under the terms of the Creative Commons
    Attribution License (http://creativecommons.org/licenses/by/3.0), which permits unrestricted use,
    distribution, and reproduction in any medium, provided the original work is properly cited.


    signals, using compression, reduces the required capacity of storage media, and it is directly
    proportional to the size of compression. For archival purposes that significantly reduces the
    required space and cost of the archive.
    Techniques for accomplishing a reduction in the video size are mostly confined to compress
    individual frames of content and techniques of writing changes and differences between
    frames. Videos are usually composed of three types of frames: I-frames (intra-frames), P-
    frames (predicted-frames) and B-frames (bidirectional-frames). The difference between different
    types of frames is only in the write mode and read mode (the interpretation). During the
    playing (displaying), each frame is shown as a normal image regardless of recording technique
    of the video format. Intraframe or spatial compression is technique in the video compression
    for reducing the size of individual frames. Interframe or temporal compression is a video
    compression technique that achieves a reduction in size of similar series of frames [3].
    The development of digital telecommunications allows the use of high-definition television
    (HDTV) besides standard-definition television (SDTV). HDTV is a technology that offers
    significantly higher quality of picture and sound than the traditional display technology did
    (analog PAL, NTSC, SECAM, SDTV and digital). Since the resolution is higher, the image is
    sharper, less blurry and the content is closer to reality. HDTV offers smoother movement,
    detailed and more vibrant colors, and there is a very high-quality multichannel sound that
    makes viewing experience even better. Table 1 shows the basic characteristics of the primary
    digital TV standards.

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